My Dear Friends,
I will be back online in January with my winter journal. I have stored up some lovely things to share with you...
With fond thoughts,
Nancy
From the desk of the founding editor of VICTORIA magazine

I have always felt special being invited to The Tavern on the Green in Central Park  during the holidays for their festival of lights, inside and out--an attraction all year long. But at Christmas it seems even more spectacular. All the surrounding trees are outlined in clear lights. I don't know what the future of these displays will be, but The Tavern as we know it will close at the end of this holiday season. Lights will go out in many hearts who have celebrated special occasions beneath the cascade of chandeliers. Things do change, but this is one that many New Yorkers and tourists to the city will lament. But I thank The Tavern here for many happy times. It was like being in a fairy palace at twilight.
But when it come to Christmas lights, it's the ones on our own trees we come to love the most, don't you think? Hitting that switch for the first time is as meaningful to each of us as the tree lightings that go on into town squares all over the country. Think of our forebears putting candles on trees and lighting each one. It's as good a metaphor as any of how time really changes us.  One year, when I was editor of Victoria, we were invited to share Christmas with Tasha Tudor. That lady who loved living with the grace of the past had lit candles on her tree--a challenge for our photographer Toshi to capture. (I believe there was a pail of water nearby.)  I always remember a phone call from the staff at that session and am still amused that assembled at Tasha Tudor's were Tova, Toshi, and Tricia.  When my husband heard me reciting this, he thought his ears were deceiving him. I can say that the results suited our readers to a "T."
On a bitter cold day, I walked from Grand Central down Madison Avenue to The Morgan Library & Museum. I used to live in the neighborhood and would visit The Morgan on a routine basis.  It is a marvelous place and I am especially drawn to it these days as  The Morgan family figures prominently in the research that I am doing for a new project, hopefully to be a book.
On this cold December day, I met my dear friend, Margaret (affectionately called "Tuny") at The Morgan for tea and then a delicious tour of the discrete Jane Austen exhibit. This event was our Christmas gift to each other. We decided a few years ago that to spend time with each other doing things we love was the best way of gifting for us. Tuny traveled down from Boston this year; I have made the reverse commute in times past.
You can go online to see many of the items in the exhibit (what a joy!) and there is also a film online you can spend a few minutes with. I didn't love the film because the people they asked to comment on Austen seemed a bit out of character to me, with several exceptions. But all of them reminded us again and again why we love Jane Austen so much.  If I had to sum, I think it would be that she was able to see and understand the drop of water in the ocean. She dealt with a world close at hand, but it reflected the whole wide world in an incredible way that has never gone out of style. Times change--human hearts don't seem to. (Foolish people remain so, too.)
'Tis the Season for Luxury. Oh yes, in yesterday's The New York Times T Magazine, the editors suggest a bit of lace. I think it is absolutely incredible--a museum piece--the dress they show. However, it's $16,000+ price tag did take me back more than a bit.  Imagine all the bits of lace one can give for Christmas for that price. Might one get a lace car, for example?
Far be it for me to suppress the spirit of giving. I'm just thinking of all the very personal ways we can gift. Let me tell you about one such present I received a few years ago: When I was in Copenhagen with my family--our son was on business--I visited the writer Karen Blixen's house on the sea. It was a short train ride from the center of the city. Karen Blixen is more commonly known as the writer Isak Dinesen, who gave us the incomparable Out of Africa. (Her life was the basis for the Meryl Streep film.) I was amazed at the art gallery at the house, works by Dinesen when she was struggling to become an artist. I fell in love with her work and snapped up a bunch of postcards depicting it which I sent from the hotel the next day. This was in the summer. That Christmas, one of my long-time neighbors presented me with a little music box. I recognized the image on the top and it puzzled me for a minute. Was this not one of Dinesen's paintings?  Indeed it was.  As the events started coming together in my mind, I turned the box over and found the postage stamp that had been on postcard. Later I found out that, my friend had found an old music box at a sale that just fit the post card. She assembled the gift that is one of the most precious and thoughtful I have ever received.
Last night hundreds of fans lined up to buy Thank Heaven, Leslie Caron's autobiography, and to hear an interview with her.
The room at Barnes & Noble on Broadway in New York was filled to capacity with standing room outside the doors. Even folks who had purchased books were not able to get into the room. New York obviously loves Leslie Caron. And no one was disappointed with her comments about her life and work.  I think hearing about her first screen kiss from Gene Kelly might have been a highlight of the night. She was very young and had been asked to do a screen test with him.  "He knew I could dance, he had seen me in the ballet, but he wanted to know how I would handle the scene." Obviously, she did very well because she got the part in An American in Paris. (By the way--both Gigi and An American in Paris have been recently re-released on DVD with commentary by Leslie. Very informative and inside stuff.)
Leslie Caron has written an enchanting autobiography appropriately titled, Thank Heaven. I am proud to call this lovely woman of film and stage a friend of many years.  We met when she portrayed Colette for us in the pages of Victoria, and then later when she performed a dramatic reading of Colette's work in New York. It was to sell out crowds in all of her performances, several for French speaking students.
The best way I could think of to share Thanksgiving with you is by sharing a family recipe. My husband's Aunt Mary passed it along over the years. But it was his sister, Ann Burckhardt, who brought it up to date for us. She's great at that. Her last book, which was considered one of the best cookbooks of that year by The New York Times, revisited all the standard hot dishes and made them work in today's kitchens with the best ingredients. It's called Hot Dish Heaven, published by the Minnesota Historical Society. Ann's been a kind of food detective in Minnesota, bringing back many of the grand old favorites.
A few years ago, The New York Times printed a letter I wrote about Thanksgiving and the joy of sharing it with others. It was in response to an article about how annoying it was to have "orphan" guests. I guess the author of the article had a poor experience. My experience has always been just the opposite. And in New York, there were always people who couldn't get home to be with their own families. These guests made us even more thankful that we could share what we had with them. Having them grace a seat at the table was a precious tradition.  That's a recipe for a Happy Thanksgiving.
In a previous entry, I mentioned my friend, Suzy Taylor. Suzy has been a friend and associate since she decorated my son's seventh birthday. (He's a bit older now.) It was a favor to me because Suzy is and was a recognized product designer, artist, and interior designer. I still have a coffee table she designed. Even she hasn't hung on to the design--but I have. It has several different positions, although I usually keep it at dining table height--perfect for afternoon tea.
Lady Mendl's Tea Salon in New York has a very enticing program through the holidays and into the New Year. If you are looking for an event when visiting the city, consider this an elegant step back in time. And if you have tea rooms in your community, you might inspire them by letting them in on the very active events at Lady Mendl's. The salon is located at The Inn at Irving Place, which was featured in Victoria, and where we sometimes used the pristine backgrounds for photography for the magazine. The Inn consists of two beautifully restored townhouses that date to the mid-19th century.
For pure delight and fun, check out the Anthropologie site--their "snow house," in particular. These folks go a long way in making their site, stores, and catalog a wondrous experience. Not that we are all going to don "the gay apparel" they feature, but if you want to get into the mood for winter holidays, it's a nice trip across the internet. I thought the "outfits" put together with themes like "iced branches" and "lamplight" were very expressive. And "at home" is the place to find a product that will put you in mind of sleigh bells ringing.
I was interested in the comment about having Thanksgiving in one's own home for the first time, rather than bundling up little ones and heading to grandmother's house. Both are marvelous experiences. But if this year, the torch is being passed to your table, it's a great time to start a new tradition and keep some of the beloved ones, too. We Americans move around a lot--and it means that many of us are putting down new roots every few years. How comforting to have a cutting from a previous root to plant in a new community.
When creating new traditions, it would be a nice idea to get input from the whole family. Tom, at Ann's, creates the place cards. It was his idea as a little guy and has continued for this college student. And dad can do more than carve the turkey or the roast. As I suggested, men I've talked to want their own part of the festivities. And how many men do we have in the kitchen these days?  Well, there's one in my house.
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We have all been talking about keeping traditions--and the best part of the discussion is the creation of new ones. I must admit that my family always tells me I call forth tradition on anything that's been done more than once. So be it. As so many of you have suggested, it's the glue that makes families. I've loved hearing from you, and hope you continue to jot down ways you keep the holidays as we travel along this season.
I used to say, perhaps too lightly, that Victoria was made a successful publication by women who loved their grandmothers, as I did mine. It also seems, in your case, that grandmothers were proactive, too. Bless her.
We all have such traditions that bring us great joy. And now is the season when the boxes are getting unpacked and the holiday china is being taken down from the china cabinet and run through the dishwasher (but only if appropriate).


Women we never met helped to raise many of us. It was their words--the stories they told us and the characters they created--that tended us. A chapter a night, perhaps, we are indebted to them forever. Two among them were Louisa May Alcott and Lucy Maud Montgomery. While I have known of both of their lives, I know Montgomery better because I have read her journals many times. It is one of my most treasured books. In Anne of Green Gables she gave her readers the essentials of her own life, but it was a thread rather than entire fabric.
The discussion of Louisa May Alcott and Orchard House, her home in Concord, Massachusetts, brings to my mind an important fact: Behind the children's classics that we have come to love and call our own own, each in our own way, were flesh and blood women--and women of their times. Their fiction gives us hints, but it is not the whole story of their lives.
Their kitchen garden alone is a delight to visit. You must drive carefully on the winding roads as you might encounter a chicken sauntering across the path. But who would speed at Stone Barns?  So many things to see.  Sheep, Black Angus grazing on the hillside, snow white turkeys, and so many other pastoral vistas. Stone Barns does have a renown restaurant, Blue Hill, but there is also 
a small cafe with an ideal lunch for a warm, fall day when you can sit outside at long tables. Everything is made from produce on the farm. A two-inch high frittata and a salad could not have tasted better. And the tiny chocolate chip cookies which came home in my bag probably won't make it past teatime.
Not too long ago a friend of mine complained about having to go to a formal event where she'd have to stand for a long time and her feet always hurt under such circumstances.  I directed her to Zappos and Daniel Green slippers as a solution. "Daniel Green?" she questioned in astonishment. "My dad used to send me to Lord and Taylor every Christmas to buy my mother a new pair.  How could I possibly wear them to this event?"  She did take my suggestion and found a nice pair of velvet flats at a price of about $40.
Daniel Green are no longer your mother's Christmas slippers. (Although if you are looking for such a pair, you'll find them at this old reliable company.)  They have, however, anticipated the need for nice-looking and sometimes, rather "hip," footwear.
I have absolutely no financial motive for passing along my "favorite things" slippers. I just want all my friends to know that its very chic to do so on those days when high heels might slow you down. By the way, what happened to the women who were wearing or carrying running shoes with them? Is that over? Fuddy Duddy better get busy on this now non-trend. At least the girls in heels don't knock you down on the way to the train--they have to go slowly. Those running-shoe types can be dangerous with the speed they travel.
The book, Our Famous Women, An Authorized Record of the Lives and Deeds of Distinguished American Women of Our Times, is the 1886 edition. (Low and behold, the book is now in paperback on Amazon!)  It was a gift given to me many years ago from good friends, Joe and Marlene Wetherall. Marlene worked freelance for Victoria and Joe is a favorite friend for his enthusiastic support of my son's music. Whenever he plays Where or When I think of Joe requesting that beautiful song--and asking Paul not only to play it, but sing it! Heaven!
I have just finished reading a review of Francine Prose's new book, Anne Frank: The Book, The Life, The Afterlife, entitled The Girl in the Attic. It's evidence that when you keep your pores open, good material comes your way. Francine wrote for us several times as Victoria, and I'm sure that  she would have been a writer in residence if I had stayed on at the magazine. She's not only a gifted writer, but a woman committed to her subject matter. She had a core that I've always admired. (On a personal note, one of our staffers lived near Francine's mother in Ulster County, and we all felt a personal connection to her through this lovely lady.)
And now to Anne Frank's diary: One of the things I took comfort from in the review is that many publishers in America turned the book down. All kinds of reasons, for saying "no thanks," and among them was the quality of the literary content. This book that has been read by millions the world around and its relevance was missed by the people who were supposed to know what people want to read. I suppose that as a person who has been told "I don't think so," more than once, I have to toast the brave souls who said "Yes!" and took a chance on something they believed in. There should be a special hall of fame for them somewhere; some prize that goes to the publishing house or film studio that went with their better instincts instead of the prevailing winds. I don't know if houses have an office for the "no's" to be reviewed, but it wouldn't be a bad idea. They might discover a book  like The Diary of Anne Frank or a film like Casablanca.
Rachel Ashwell is the high priestess of the found object. She's been preaching her creed of pretty, casual, and love of orphans from stray pieces of lace to vintage wallpapers. But that doesn't mean she's old news. Rachel has a new shop on Mercer Street in New York  and a new book--Shabby Chic Interiors. She was featured both in Victoria magazine and in a Victoria book, Designers in Residence. It was one of my favorite of all the Victoria books because talented designers shared their homes along with great ways for readers to enrich their own.
I have a ritual of display inspiring spreads from books I like. I have a stand that Wisteria sells (I actually have several) at a very reasonable price and designed for cookbooks. Mine can be found just about anywhere from a window sill to the dining room table--which often looks more like a library table. Shabby Chic Interiors has several good candidates including a wonderful photograph of hydrangeas drying in a very old soda bottle. I think on a snowy day, I'll remember to display this.